FilmConvert Pro AVX v1.0.2 for AVID

FilmConvert Pro 1.04 OFX Win64

FilmConvert Pro 2.06 plugin (After Effects & Premiere)

FilmConvert Pro 2.07 AE

FilmConvert Pro 2.09 Win64 (After Effects & Premiere)

FilmConvert Pro 1.216 Stand alone mac

FilmConvert Pro 2.11 for AE Premiere Win64

FilmConvert Pro 2.13 for AE & Premiere (Win) + All Camera Packs

FilmConvert Pro AE v2.12  mac

FilmConvert Pro FinalCut Pro v1.36  mac

FilmConvert Pro Photoshop v1.05  mac

FilmConvert Pro v1.0.3 for Photoshop mac

FilmConvert Pro v1.36 for FinalCut Pro  mac

FilmConvert Pro v1.205 - Stand-Alone mac

FilmConvert Pro v2.11 for AE - PP mac

FilmConvertPro v1.35 for SonyVegas win64

FilmConvert Pro 1.50 OFX Plug-in Win64

FilmConvert Pro V2.14 for AE & Premiere (Win) + All Camera Packs

FilmConvertPro-AE-PP v2.15

FilmConvert Pro 2.16 WIN64

FilmConvert Pro 2.17 for After Effects & Premiere Pro Win64

FilmConvert Pro Bundle 2015 MacOSX

FilmConvert Pro v2.19 - AE, PP mac

FilmConvert Pro v2.31 for After Effects and Premiere Pro Win64

Rubber Monkey FilmConvert Pro v2.30 CE

FilmConvert Pro 2.32 for After Effects Win64

Rubber Monkey FilmConvert Pro v2.34 CE

FilmConvert Pro 2.3.6 Win [Ae + Pr]

Rubber Monkey FilmConvert Pro v2.36 CE Win

FilmConvert Pro Bundle 10.2016 Mac

FilmConvert Pro - 2.0.3 OFX

Rubber Monkey FilmConvert Pro AEX v2.39 CE Win

FilmConvert Pro是一款将数字摄影机拍摄的素材色彩转换成胶片色彩的工具,可作为独立程序,也可以作为第三方插件, FilmConvert Pro提供了一个复杂的算法，转换数字画面成您最喜欢的电影胶片，包括负面密度，等......

Ever since the introduction of Digital Cameras, digital evangelists have  been saying how Film would eventually be superceeded and replaced.   After several decades, this is finally happening.   However, for many people, the look of the digital footage still  leaves a lot to be desired and doesn't look as good straight out of the  camera.

What is it about film that people like so much?

Some people say that film has a 'magical' and 'organic' quality that  can never be achieved by a digital camera. We take a more scientific  approach. For many years, the film workflow has been to have the film scanned  and then graded digitally. Both formats end up as digital files, we can compare them and find  out the specific differences.

Our tests have shown that film responds to colors in a different way.  Let's look at an example - shot on Fuji Pro 160s, and the same image  shot on a Canon 5D Mk II. Look specifically how the trees seem to 'pop' in the film image.