2012 | DYNAMICS | KONTAKT | 2 GB
In this first volume of our Ambius series, we focus on the dark, the cryptic, the unnatural and the subliminal, in the form of unearthly angelic bell tones and demonically corrupt signals filtering through the void. This massive collection of ambiences, drones, pads and evolving synth leads were each created by hand. Every sound you hear was hand-crafted using only organic field and instrument recordings.
In this first volume of our Ambius series, we focus on the dark, the cryptic, the unnatural and the subliminal, in the form of strange unholy transmissions filtering through the void. You’ll find an archive of EVP recordings engineered by the dead, earwitness accounts of unholy medical procedures, insidious swarms of poisonous insects, terror winds speaking with voices of pure and ancient decay and bio-mechanical devices worming through primordial pools of seething logic. You will marvel in the sweeping glory of infinite choruses and spin endlessly soaring melodies from our cluster bells. And then you will fall helplessly into the blackened ash pits, where sleeping phantasms wait for the wet crack of your bones breaking on impact and the sour hiss of gaseous spectral vapors that seep in to dissolve your earthly flesh.
Originally released by Tonehammer in 2009, our new version 2.0 has been redesigned with a new GUI and a huge range of interactive features. It now features tempo-locked filtering and LFO based parameter automation. A pair of 32-beat step-sequencer graphs let you freely draw resonance and cutoff values from one step to the next, with time divisions from whole notes to 128ths. Lowpass, Highpass, Bandpass and Vowel filter types are included.
Parameter changes are smoothed to prevent ugly zippering, but with the ability to dial in ultra-tiny time-signature divisions and extreme filter settings, you can get as gnarly and screeching or warm and mellow as your heart desires. You can also assign just about any parameter to each step sequencer table with the simple right-click/cmd-click learn function whenever that table is running. You can even skip the filter stage and simply use it for tempo-synced CC parameter control by choosing the “Thru” filter type or bypass the whole system instantly with the LFO Pause and do your filter tweaking and sweeping by hand.
Also included are a tempo-syncing tremolo, full EQ tone controls, our custom convolution reverb loaded with dozens of spaces and special FX and of course, our ever advancing Uberpeggiator meta-arpeggiation system. The dual-layer sustaining ambient presets also feature simulated polyphonic legato with polyphony, bend, speed and range control. A full gamut of preset types are included: special cutting edge Kontakt 5 presets allow step sequencer and uberpeggiator table graph preset saving/loading and the latest filter options, classic Kontakt 4-friendly presets with classic filter types and resource efficient lite presets that save ram and CPU resources without the filter LFOs or a deep offset range.
Horror: EVP Pulse, Industrium Pulse, Panorganic Pulse, Rictus Pulse, Root Canal Pulse, Swarming Pulse, Winds Pulse
Melodic: Para-Orchestral Pulse, Re-Choral Pulse, and Transmusical Pulse
Tuned: Dig Pulse and Tuned Pulse
LFO/Filter
Four selectable filter types with automatable cutoff and resonance
Our new Kronostepper – sequence filter cutoff and/or resonance in configurable tempo-synced steps
Kronostepper passthru mode can drive any automatable knob or slider in Kontakt.
Tempo or Hertz-based Tremolo with automatable intensity
Other Features
Integrated Uberpeggiator system allows for adaptive step-sequenced arpeggiation
Kontakt 5 users can import and export Uberpeggiator and Kronostepper sequences
Customized presets – see what we at Soundiron were able to come up with using these features
Instrument Designers allow users to mix-and-match any transient with any sustain
Additional Kontakt 5 presets with tempo-synced rhythmic atmospheres and grooves
2012 |动态 |开播 |2 GB
在我们的 Ambius 系列的第一卷，我们专注于黑暗的、 神秘的、 不自然的和潜意识，超自然的天使贝尔音调的形式和邪魔腐败信号滤波通过无效。无人飞机的气息，这大量收集、 垫和不断变化的 synth 线索被每个手工创建的。每一声，你是用手工制作的录音只有有机领域和仪器。
在我们的 Ambius 系列的第一卷，我们专注于黑暗的、 神秘的、 不自然的和潜意识，筛选通过虚空的奇怪邪恶传输的形式。你会发现死者所策划的执行副总裁录音档案，邪恶的医疗程序，阴险的 earwitness 帐户群的毒虫，恐怖风和纯和古代的衰变和生物机械设备通过原始池沸腾逻辑的蠕动的声音说话。你会惊叹无限合唱的笼统的荣耀和自旋无休止地从我们群集响铃飙升的旋律。然后你会落入无奈地变黑的灰坑，在哪儿睡着幻觉等湿裂缝的影响和渗透在解散你们尘世的肉体的气体光谱蒸气的酸嘶嘶声打破你的骨头。
最初在 2009 年发布的 Tonehammer，已经与一个新的 GUI 和大量的互动功能重新设计我们的新版本 2.0。它现在具有节奏锁定滤波和基于低频振荡参数自动化。一双 32 节拍一步音序器图让你自由地绘制共振和截止值从一步到下，从全音符到 128ths 的时间分裂。低通、 高通、 带通和元音的筛选器类型都包括在内。
参数变化进行平滑处理，以防止丑陋的 zippering，但拨入超级微小时间签名分裂和极端的筛选器设置的能力，你可以获得一样粗糙和刺耳或温暖和醇厚作为你的心的欲望。您还可以分配给每个步骤音序器表简单右-单击/cmd-点击学习只是对
任何
参数功能，那张桌子正在运行时。即使跳过筛选阶段和用于节奏同步抄送参数控制，通过选择"通过"筛选器类型或绕过整个系统立即与低频振荡暂停，即可做您调整和用手扫的筛选器。
此外包括了节奏同步的颤音，充分情商音调控制，我们自定义的卷积混响装有数十个空格和特殊 FX 和当然，我们不断进步的 Uberpeggiator 元 arpeggiation 系统。双层维持环境预设也设有模拟复调 legato 与复调、 折弯、 速度和范围的控制。预设类型全色域是包括: 特殊切割边缘开播 5 预设允许步音序器和 uberpeggiator 表图预设保存和载入和保存 ram 和 CPU 资源未经过滤 LFOs 或深的偏移量的范围的高效建兴预设，他的最新的筛选器选项，经典开播 4 友好预置与经典的筛选器类型和资源。
恐怖: EVP 脉冲，Industrium 脉冲，Panorganic 脉冲、 张口脉冲、 根管脉冲，成群的脉冲，风脉冲
旋律: 段管弦乐脉冲，再合唱脉冲和 Transmusical 脉冲
调谐: 挖脉冲和调谐的脉冲
低频振荡/过滤器
与自动化截止和共振的四个可选的筛选器类型。
我们新的 Kronostepper — — 序列滤波器截止和/或共振在可配置的节奏同步的步骤
Kronostepper 通过模式可以驾驶任何自动化旋钮或滑块在开播。
节奏或基于赫兹的颤音与自动化强度
其他功能
综合的 Uberpeggiator 系统可用于自适应步序 arpeggiation
开播 5 用户可以导入和导出 Uberpeggiator 和 Kronostepper 序列
自定义的预设 — — 看看是什么在 Soundiron，我们能来使用这些功能
仪器设计者允许用户对混合和匹配任何瞬变与任何支持
节奏同步的节奏大气与凹槽的额外开播 5 预设。