Rhythmic Robot Audio Drifter KONTAKT | 837 Mb
Drifter is, at heart, a simple idea: build the ultimate pad machine. A synth dedicated to, and optimised for, pads. Big swooshy pads. Smooth analogue pads. Crisp, shimmering digital pads with grainy washes of sound running through them in stereo. Crusty vintage pads that crackle and tremble and sound like they’re emanating from old tube amps tied together with frayed patch cords. Delicate ethereal pads. Warm pads like wooly jumpers.
Drifter doesn’t try to be a lead machine or a bass monster or anything other than a great big pad playground. It’s built from the ground up to create evolving, textural sounds with lots of movement and stereo interest going on. The central engine is based on three Drift Clouds, each of which harnesses twin waves which you can dial up from a variety of analogue and digital sources – smooth analogue tones from our vintage monosynths, crispy digiwaves from Ensoniqs and Yamahas, and of course the Korg Scale Noise we love so much. The twin waves of each Drift Cloud can be set drifting across the stereo field using the Drift controls; the big Drift slider increases the difference between the two waves to emphasise the amount of movement.
Built into each Drift Cloud are further LFO-based movement controls: Pitch and Amp are self explanatory, while Grain harnesses a modulating bitcrusher of the kind we used to such happy effect on Uproar to introduce shifting, sleeting clusters of graininess to the clouds. This is great for gently roughing up a pad that’s a little too smooth, or for creating the impression of noise across a tone.
The Drift Clouds are similar but not identical, so while cloud 1 has a Pitch LFO, Cloud 2 does away with that in favour of a simple octave selector, and Cloud 3 allows for full-range coarse and fine pitch adjustment – great for dialling in fifths or sevenths and detuning them against the core sound. Global High Pass and Low Pass Filters (the LPF with a dedicated envelope) slice up your frequencies and help carve the sound into something beautiful. And best of all, the Glitch control has pride of place. We’ve spent a lot of hours tailoring its behaviour very carefully to the parameters available in Drifter, so that its “hit rate” of getting you a starting point you like (or even a finished patch you want to save) is really high. Whenever you’re feeling bored, give it a click
有节奏的机器人声音漂泊| Kontakt 837 MB
流浪者，在心里，一个简单的想法：建立最终的移印机。Synth致力于，和优化，垫。大男孩垫。光滑模拟垫。脆，闪烁的数字垫木纹洗声穿过立体声。顽固的复古盘裂纹和颤抖，听起来像是来自古老的电子管放大器与磨损的跳线绑在一起。细腻空灵的垫。暖垫像羊毛跳线。
流浪者不想被铅机或低音怪物或比其他任何一个大垫操场。它是建立在地面上创造不断变化的，纹理的声音与大量的运动和立体感兴趣。中央引擎是基于三漂移的云，每一个带双波，你可以拨号从老式的monosynths各种模拟和数字的来源–平滑的模拟音，脆digiwaves从ensoniqs和雅马哈，当然Korg的尺度噪声我们爱得如此之深。每一个漂移云的双波可以设置漂移横跨立体声场使用漂移控制；大漂移滑块增加了两个波之间的差异，以强调运动量。
内置到每个漂移云进一步基于运动控制：低频音高和Amp的自我解释，而粮食带调制bitcrusher的那种我们习惯在喧嚣如此快乐的影响引入移位，雨雪集群颗粒状的云。这地殴打垫太光滑是伟大的，或创建在噪声的印象。
漂移的云是相似但不完全相同的，所以当云1沥青，云2没有离开，在一个简单的音阶选择的青睐，和云3允许全方位的粗和细间距的调整–伟大的拨号五或七和失谐对他们核心的声音。全球高通和Low Pass Filters（与专用信封的LPF）把你的频率和帮助把声音变成美丽的。最重要的是，该故障的控制有骄傲的地方。我们已经花了很多时间调整其行为非常仔细地在流浪者的参数，使其“命中率”得到你的起点你喜欢（甚至是一个汉化补丁要保存）真的很高。每当你感到无聊的时候，给它一点