Samples From Mars SH5 From Mars WAV Logic EXS KONTAKT | 4.72 Gb

The top line of the revolutionary Roland SH series is rarely talked about, yet it includes some of the most powerful synthesizers of all time. There's the SH-101, SH1, SH-3A, SH-7… the list goes on. And while these synths are all excellent sounding in their own right, the SH-5 is undoubtedly the King, with its huge oscillators, multimode filters, extensive modulation possibilities and a brilliant mixer at the heart of it all. In our opinion, the SH-5 is one of Roland's greatest mono synths of all time.

Produced from 1976 - 1981, the SH5 is similar to the highly sought after System 100 / 700 modular units. It's built around huge, raw analog oscillators and tough multimode filters that don't lose bass when you crank up the resonance (unlike the SH-7). There's also a resonant bandpass filter which can be used in parallel for amazing results. Add a white / pink noise generator, ring modulation, sample and hold, semi modular LFOs, strong and weak oscillator sync, and it's no wonder this synth can cover such a wide range of territory. It's capable of everything from Human League to Hallucinogen and so much more. But genres aside, the SH-5 is a powerhouse of Roland punch, with unbeatable bass, monstrous leads and wild FX.

The SH5 we sampled is in excellent condition and tuned to near perfection (OK, the lowest octave is a little off but this actually sounded pretty cool). As with all of our synth sampling efforts, we recorded many of the patches with no processing, so that the true character of the synth could shine. For other patches, however, we went over the top with analog distortion, saturating through tubes, tape, guitar pedals, hardware EQs and analog filters, and finally through Apogee conversion. This combination of recording techniques gives the instruments the widest sonic range possible.

The resonant bandpass filter can give you a super punchy and aggressive midrange, or a shockingly deep bass boost, depending on where you've set the cutoff. By sending one oscillator to the bandpass filter (with the resonance cranked), and the other oscillator straight to the VCA or lowpass filter, we were able to achieve some of the warmest but simultaneously aggressive basses we've ever heard. No other synth at this time (or now?) was capable of this type of processing. In fact, after using this technique extensively we read a Human League interview where they describe how discovering this bandpass filter changed their entire synth sound - pretty much the same experience we had.

Contents:

• 40 Multi-Sampled SH5 Instruments For Ableton, Kontakt, Logic & 24bit WAV

• Huge sub bass, gritty leads, dark pads, experimental FX and more

• Extensive multi-sampling, modulation and FX routing on all instruments

• Hand trimmed and looped to perfection

• Clean, tape and tube recordings for the greatest depth between patches

• 4 GB Unzipped Per Format

样品从火星 SH5 从火星 WAV 逻辑例题开播 |4.72 Gb

很少谈论革命的罗兰 SH 系列的顶行，然而，它包括一些最强大的合成器的所有时间。那里是 SH-101，SH1，SH-3A，SH 7...不胜枚举。而这些合成器是所有优秀测深在他们自己的权利，而 SH 5 无疑是国王，以其巨大的振荡器、 多模滤波器、 广泛的调制的可能性和辉煌的搅拌机在它所有的心脏。在我们看来，SH 5 是罗兰的最大单声道合成器的所有时间之一。

从 1976 年-1981 年，生产 SH5 是类似于备受追捧后系统 100 / 700 模块化单位。它围绕着巨大的、 原始的模拟振荡器和艰难多模筛选，不要失去低音时你曲柄 （不像SH-7) 共振。也是谐振滤波器，可用于并行惊人的结果。添加白色 / 粉红噪声发生器，戒调制，样品和持有，半模块化 LFOs、 强和弱的振荡器同步，和它的难怪这 synth 可以覆盖这种广泛的领土。它是从人类同盟到迷幻剂和更多的什么都能。但放在一边，体裁 SH 5 是罗兰的冲压，以无与伦比的低音，可怕的线索和野生 FX 厂房。

SH5 我们取样是在良好的条件和调整，以近乎完美 （好吧，最低八度有点古怪但这实际上听起来很酷）。与我们所有的合成器采样努力，我们记录许多补丁没有处理，以便 synth 的真面目能发光。为其他修补程序，但是，我们去与模拟失真，上方饱和管、 胶带、 吉他踏板、 硬件情商和模拟滤波器，通过和最后通过远地点转换。这一结合的录音技术使文书尽可能广泛的声波范围可能。

谐振式带通滤波器可以给你超强力和侵略性的中端或令人震惊深低音，取决于你在哪里已经设置截止。通过发送一个振荡器的带通滤波器 （与共振手摇） 和其他振荡器直奔 VCA 或低通滤波器，我们能够实现一些中最温暖的但我们听说过同时咄咄逼人的低音。在这个时候没有其他 synth （或现在？） 是这种类型的处理能力。事实上，广泛使用这种技术后我们阅读人类联盟的采访在那里他们描述如何发现这带通滤波器改变声音-他们整个 synth 差不多一样的经历我们。

内容︰

• 40 多采样的 SH5 仪器 Ableton，开播，逻辑 & 24 位 WAV

• 巨大子低音，坚韧不拔领导，黑暗垫、 实验 FX 和更多

• 广泛的多采样、 调制和 FX 上所有文书的路由

• 手修剪和环形的完美

• 为斑块间的最大深度的清洁，磁带和管录音

• 4 GB 解压缩每一种格式