密码: 4962

Team AI/CoBaLT | 2004/2005 | 15.89 GB

Kirk Hunter's Orchestral Brass Ensembles (henceforth known as OBE) consists — perhaps unsurprisingly — of orchestral brass ensembles recorded in a 2500-seater concert hall, using players (uncredited, as usual) from an American symphony orchestra. Two mic positions were used, one 30 feet from the players, the second 100 feet back to capture the hall reverb (see diagram, right). This lavish use of space created a collection of big-sounding samples known as the 'symphonic' recordings.

In order to offer users sonic choice, Kirk also recorded a second set of samples in the same hall, but first made some significant musical and acoustic changes; section sizes were scaled down, and huge baffles were positioned on stage and in the hall's ceiling, creating a smaller, more focused room sound (the layout for this setup is shown on page 138). The second sample set, less reverberant and more present-sounding than the first, are called the 'chamber' recordings.

Uniquely, Mr. Hunter also deliberately varied the sizes of his trumpet, trombone and French horn ensembles for different dynamic performances, using (for example) eight French horn players to play fortissimo samples, but only four players on the pianissimo notes. According to Kirk, this technique was not pre-planned, but devised during the sampling sessions in order to create a tighter, warmer, and more intimate sound on the softer notes (see the 'Instrumentation' box on page 136 for more details).

Dance producers lusting after hot brass licks should look elsewhere for their funky soul fodder, as there are no chords, riffs or phrases here; the library basically consists of chromatically sampled single notes, supplemented by tone and semitone trills, a few swells and 'rips' (slides up to a sustained note). This is really one for players and composers.

在钴/团队/ | 15.89 GB | 2004 2005

柯克猎人orchestral黄铜便服套装（known as henceforth OBE）consists -也许unsurprisingly of orchestral便服套装-记忆-黄铜在2500个座位的音乐厅，由玩家（通常uncredited from an，美国交响乐团）。两个麦克风位置是used from the球员，30英尺100英尺，the second back to the Hall（EEA reverb捕捉图，右）。使用本lavish of collection of a created航天大探空samples known as the symphonic recordings是是。

在给用户选择阶声波，柯克也在第二集在记忆samples Hall of the same，但一些重要的音乐声和自制的第一维大小.比例是截面变化；唐氏baffles是巨大的，和在线positioned实习和S在hall' creating the CEILING，黑莓的小声音，至上室（the布局for this is shown on page setup（138）。第二reverberant样品集，和更多的少比第一探空版图，are called the这是recordings室。

uniquely，亨特先生也多种deliberately of the维大小.他的小号，长号和法国喇叭性能使用动态for different便服套装（for example）八，法国球员巨大的喇叭播放samples to，but only Notes on the慢四的玩家。根据柯克，this was not技术预计划，but the devised在抽样以产生tighter sessions，warmer，声音和更多的intimate Notes on the softer（see the在线仪表箱136页是为更多的细节）。

后热舞生产licks Lustig黄铜外观时髦的灵魂应该elsewhere for their fodder，as there are here or不chords，谈论：基本色；the Library of consists采样模式和单一的记事本，可补充一些半音音和颤音，swells rips（up to a持续明确重点是已知的）。This is one for和composers真的玩家。