密码: hejb
Hollow Sun String Synths KONTAKT | 102 Mb
Pre-dating polyphonic synths by some years, string synthesisers used electronic organ 'divide-down' technology to provide a totally polyphonic sawtooth waveform. This was then typically fed through a simple, two stage envelope shaper offering just attack and release and then onto an analogue 'bucket brigade' chorus unit to produce the 'ensemble' effect. They effectively replaced the noble Mellotron as a portable string section as they were FAR more reliable and, errmmm, more portable!
There were several manufacturers producing string synths that utilised the same basic technique in the mid to late '70s - Elka, Crumar and others and later on, Yamaha, Roland and Korg - but it was the ARP String Ensemble that was perhaps the best known. But that in itself was derived from the Eminent 310, an organ from a little known Dutch manufacturer that featured a great string synth sound (Jean-Michel Jarre used an Eminent 310 on his early albums often through an Electro-harmonix Small Stone phaser pedal for his signature sound on the early albums).
Eminent faced tough competition in a competitive market and were battling it out with the likes of Hammond, Farfisa, Vox not to mention Japanese manufacturers and they went through many troubled times. In an attempt to overcome these financial difficulties, they released a dedicated string machine under the 'Solina' brand name.
The Solina String Ensemble was to become a legend amongst certain keyboard players (mostly European) as one of the first string synths available. It retained many of the characteristics of the original 310 sound but in a compact, portable format. However, this small Dutch company didn't have the marketing clout to make the global impact this instrument so richly deserved. American synth giant ARP bought in or licenced the technology and it formed the basis of their own String Ensemble (and later Omni, Omni II and Quadra synths).
Instead of having various presets in various combinations, each instrument now features a complete control panel so that you can create your own unique combinations pretty much like using 'the real thing'. Each instruments' functionality is spread across three panels - MASTER, CONTROL PANEL and EFFECTS.
In MASTER, you can set 'global' functions such as velocity sensitivity and curve, note range, pitch bend range and master tuning and transpose.
In CONTROL PANEL, you can mix and layer the sounds, combining 16', 8' and 4' octaves (depending on the instruments) to create massive sounds. In some instruments, you can layer different sounds. There's also a simple tone control that allows to coax all the commonly heard string synth sounds and some new ones and there's also simple envelope control of attack and release. This control panel really does make these instruments behave just like the originals - if not better ... most old string synths only allowed you to switch the different octaves on or off whereas these allow you to mix them in variable amounts.
In EFFECTS, you can add a phase shifter effect with variable amount and speed and you can add (or remove) delay and reverb.
Any settings you make can, of course, be saved for future recall and it is possible for a knobby hardware controller to 'learn' these controls for an even more hands-on experience.
中空阳光|字符串合成器Kontakt 102 MB
约会前的复调合成器通过多年使用电子琴合成器，字符串“鸿沟”技术可以提供一个完全的复调锯齿波形。这是典型的通过一个简单的，两阶段包络整形只是提供攻击和释放，然后到一个模拟“水桶”合唱单元产生的集成效应。他们有效地取代高贵的插件作为一个便携式的弦乐部分他们更可靠，errmmm，更便携！
有几个厂家生产字符串合成器，利用相同的基本技术在中期到年代末70年代- Elka，crumar和别人，后来，雅马哈，罗兰和Korg的-但它是ARP弦乐合奏，也许是最著名的。但是，本身是派生从著名的310，器官从一个鲜为人知的荷兰制造商，精选一个伟大的字符串合成器声音（Jean Michel Jarre用著名的310在他的早期专辑往往是通过一个电Harmonix的小石移相器踏板他的标志性声音的早期专辑）。
著名的面临在竞争激烈的市场中激烈的竞争和争夺它与哈蒙德，键盘的喜欢，Vox不提日本的制造商和他们经历了许多困难时期。为了克服这些困难，他们发布了一个专门的串机在'她'的品牌名称。
索利纳弦乐合奏是成为一个传奇在某些键盘玩家（主要是欧洲）作为第一个字符串合成器可。它保留了原来的310个声音的许多特点，但在一个紧凑，便携格式。然而，这个小的荷兰公司没有营销影响力，使全球影响力这个工具，所以丰富的。美国电子巨头ARP的购买或者许可证的技术，形成了自己的弦乐合奏的基础上（后来的全方位，全II和外接合成器）。
而在各种不同的组合有不同的预设，每个仪器现在提供一个完整的控制面板使您可以创建自己的独特的组合非常喜欢用'真实的'。每一个工具的功能是跨三个面板-主，控制面板和效果。
主，你可以设置“全球”等功能的速度灵敏度曲线，注意范围，音高范围和掌握调谐和转置。
在控制面板中，你可以混合层的声音，结合16，8和4度（取决于仪器）制造大量的声音。在一些乐器，你可以用不同的声音。还有一个简单的音调控制，允许哄都最常听到的弦乐合成器的声音和一些新朋友，也有攻击和释放简单的包络控制。这个控制面板真的会使这些乐器的行为就像原件-如果不是更好…最古老的弦乐合成器只允许你切换不同的音阶或关闭，而这些让你把他们变量。
的影响，你可以添加具有可变数量和速度的移相器效果，您可以添加（或删除）延时和混响。
任何设置，你可以，当然，被保存为未来的回忆，这是可能的一个瘦骨嶙峋的硬件控制器来学习这些控制一个甚至更多的实践经验。