密码: eeh3
Hollow Sun Definitive CP70 KONTAKT | 40 Mb
The quest for a portable piano has been around since the invention of the Fender Rhodes and the Wurlitzer. Of course, neither of these actually sound like pianos... they have a pleasant sound that is 'piano-like' but in no way are they a substitute for the real thing.
Several companies tried all sorts of things (including some fairly horrible electronic things) but it wasn't until Yamaha released their CP70 'Electric Grand Piano' in the mid-'70s that we had something approaching a 'real' piano that could be toured around and amplified easily without any difficult mic techniques.
There were three models in the product's lifetime... the original CP70 (73-note keyboard) which was superceded by the CP70B (with balanced outputs) and the CP80 (a full 88-note keyboard version). There was also a MIDI version allowing the thing to be used as a monster master controller. These were comparatively rare however. All of them featured true grand piano action keyboards which, if you were a real piano player, were a delight to play.
In their brochures, Yamaha claimed their electric grand pianos were "compact" and "portable". I am not convinced! They measured at least 57 inches wide by 45 inches deep (front to back) and weighed as much as 313lbs! I guess that at a time when bands were going out with Hammond organs, Leslies, CS80s, multiple MiniMoogs, Mellotrons and so on, the CP piano was comparatively 'portable'.
Each instrument now features a complete control panel so that you can create your own unique sounds pretty much like using 'the real thing'. There are three panels - MASTER, CONTROL PANEL and EFFECTS. In MASTER, you can set 'global' functions such as velocity sensitivity and curve, note range, pitch bend range and master tuning and transpose.
In CONTROL PANEL, you can modify the tone of the instrument using the 3-band EQ as found on the original CP70. You can also add tremolo (again, like the original) with variable speed and depth. In EFFECTS, you can add a phase shifter effect with variable amount and speed and you can add (or remove) chorus and reverb. Any settings you make can, of course, be saved for future recall and it is also possible for a knobby hardware controller to 'learn' these controls for an even more hands-on experience.
空心太阳最终cp70接触| MB
《追寻一个便携式的钢琴已经在硬件的发明的Fender Rhodes和管风琴。当然，我告诉他们这些类pianos声……他们有一个愉快的钢琴声，冰状的，但他们真的是在一个代用品对真实的东西。
我公司several全品种的事物（包括一些可怕的事情fairly电子），但它不是直到雅马哈发布他们的cp70电器的大钢琴，在70年代中期，我们憎恨的东西夹逼的皇家钢琴，我可以是toured周围和难易amplified“没有任何麦克风技术。
有各种三维模型在产品的寿命。《原cp70（注73是取代键盘）的cp70b（与平衡输出）和cp80（88注全键盘的版本）。也有一allowing MIDI版本的东西是用来作为一个怪物的主控制器。然而，这是comparatively友好。他们威胁着所有的功能齐全的大钢琴的键盘的动作，如果你是一个真正的钢琴的球员，是一个快乐的两场比赛。
在他们自己的手册，雅马哈claimed电器大pianos是“契约”和“便携式”。我不convinced！他们测量的至少57英寸宽的城市（45英寸深的前两个反向）和weighed AA。AA 313lbs！我想这一次我带的是走出去和哈蒙德的官员，莱斯利，cs80s，minimoogs mellotrons多，所以在《钢琴comparatively CP是便携式的。
每个工具的功能现在完全控制面板（所以你可以创建你自己的独特的声音更像漂亮的运用“真实的东西”。有三组主，控制面板和效果。在主的，你可以看到全球的功能如灵敏度和速度曲线，注意的范围内，距弯曲调谐范围和主transpose鸭。
在控制面板中，你可以修改的音调的乐器使用的3波段情商AA发现在原始cp70。你可以（也增加了颤音，像我原来）与可变速度和深度。的效果，你可以添加一个相位效应器与可变数量和速度，你可以添加（或remove）合唱和混响。你使我的任何参数，当然，被救的回忆和未来也可能是一个knobby硬件控制器的学习控制的情况，这些甚至更多的动手经验。