密码: 7g8b

Funk Soul Productions Vintage Strings KONTAKT | 5 Gb

Vintage Strings is a virtual instrument for Kontakt 5 designed to emulate the classic violin string section sounds of R&B, Soul, and Funk records from the 1960's and 1970's. Whether you're an experienced arranger or casual producer, Vintage Strings was designed to make it quick and easy for you to create great sounding string tracks for your productions. Like its sister product, Vintage Horns, Vintage Strings was not designed to be a shiny, perfect sounding virtual instrument. Instead, we tried to capture the way string sections sounded back in the '60s and '70s; including the decidedly not classical playing style and minor imperfections that added character to those sections and made them sound so good.

For Vintage Strings we recorded a 6 piece violin section using vintage Neuman U-87 mics and Royer ribbon mics run through a great sounding SSL board. To capture a true vintage string sound, we used close mics, room mics, and string section positioning based on actual session notes from old Motown and Philly Soul recording sessions. Rather than record the violins in a magnificent concert hall or some other large and resonant recording space, we recorded our players in a funky old studio with a smaller, less-reverberant room that had characteristics similar to the rooms used to record classic Soul and R&B records. Using the tracks we recorded in this space, we then created three types of sections:

2 VIOLINS:

The 2VLN patches are very useful for creating the sound of smaller string sections. Even if played in 3-part harmony, these patches sound like a 6 piece section, rather than a full orchestral string section. The 2VLN patches take up a lot less sonic space in the mix, and also have the advantage of sounding like the smaller types of string sections used on a lot of old Soul and R&B records, which didn't have the time or budget to record a larger section.

6 VIOLINS:

The 6VLN patches are great for recording unison (1 part) lines that emulate the sound of a true 6 violin section, which was very commonly used in many old Soul recordings. When used for 2-part harmonies or octaves these patches can be used to replicate the sound of an overdubbed 6 violin section (i.e., a faux 12 violin section), which was a very common recording technique used on many Motown recording sessions.

12 VIOLINS:

The 12VLN patches are very useful for creating unison (1 part) string lines that sound like an overdubbed 6 violin section. If you want to get a bigger sound with the size of a larger orchestral string section, without the color and character present in a large recroding hall or symphonic space, use the patches for string parts in 2 or 3 part harmonies.

The result is a virtual instrument that has a sound and character that is distinctly different from orchestral based sampled string libraries. The sound of Vintage Strings is intentionally not big, rich, and glossy. It's a smaller, more intimate, and more "human" sound, which more accurately emulates the string sound on those classic old records.

FAST AND EASY STRING SECTION PARTS USING PRE-SET PATCHES

If you don't have a lot experience writing for strings, or even if you're an experienced string-arranger on a tight deadline, Vintage Strings also offers a number of pre-programmed instrument patches that can help you quickly create great sounding string parts. These include the Tonal Harmonization Patches, which contain 2 part, 3 part, and 4 part patches for 2, 6, and 12 violins. Playing with just one finger on your keyboard you can easily write string lines in 2 parts (intervals), 3 parts (triads), or 4 parts (seventh chords). Secondly, the Tonal Harmonization patches include Fixed Chord & Interval Patches containing 2 part, 3 part, and 4 part Chord Patches, for 2, 6, and 12 violins. These patches are programmed to play a specific interval or chord according to the type of patch in 12 different keys.

THE VINTAGE STRINGS GUI

The Vintage Strings graphical user interface (GUI) is very simple and easy to use. The main page of the interface includes control over tape saturation, high EQ, and reverb with 15 custom selected convolution reverbs.

THE HARMONIZE PAGE

On the Harmonize page you can choose the key and scale of the interval or chord-based preset patches, or create custom interval and chord-based patches of your own.

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克灵魂制作老式串| Kontakt 5 GB

年份字串是声音的R & B，灵魂，和funk记录从1960年和1970年。无论你是一位经验丰富的编曲或休闲生产者，年份字串设计使其方便快捷地为你创造伟大的探空字符串跟踪你的作品。虚拟仪器为KONTAKT 5设计模仿古典小提琴弦切面像它的姊妹产品，老式的喇叭，老式的字符串是不是设计成一个闪亮的，完美的探测虚拟仪器。相反，我们尝试捕捉方式弦乐部分听起来回来在60年代和70年代；包括断然不是古典演奏风格和次要缺陷，增添了个性的那些部分，使他们的声音很好。

老式的字符串记录6件小提琴部分使用老式纽曼U-87话筒和罗耶带MIC运行通过一个伟大的冠冕堂皇的SSL板。捕捉真正的老式的弦音，我们用房间麦克，关闭麦克风，并根据老摩城和费城灵魂录音实际会话票据的弦乐部分定位。而不是记录小提琴在富丽堂皇的音乐厅或一些其他大谐振记录空间，我们记录我们的球员在一个时髦的老工作室与一个较小的，较少混响室，具有类似的房间采用经典的灵魂和R&B记录记录。使用在这个空间中记录的轨道，我们创建了三种类型的部分：

2把小提琴：

的2vln补丁创建更小的弦乐部分的声音是非常有用的。即使在3和谐发挥，这些补丁，听起来像一个6块的部分，而不是一个完整的管弦乐队的弦乐部分。2vln补丁采取了少了很多声音空间组合，和也有优势的听起来像是较小的类型的字符串部分使用很多老灵魂和R&B记录，没有有时间或预算来记录一个较大的部分。

6把小提琴：

的6vln补丁杰出的记录一致（1部分），模仿一个真正的6小提琴部分的声线，这是在许多老灵魂录音很常用。当用于部分和声或音阶这些补丁可以被用来复制一个overdubbed 6小提琴部分（即，一种人造12小提琴部分），这是一个很常见的记录技术用于许多Motown唱片录制的声音。

12把小提琴：

的12vln补丁创建和谐是非常有用的（1部分）串线，听起来像一个小提琴录制了6段。如果你想得到一个更大的声音较大的管弦乐字符串部分的大小，没有颜色和人物呈现在一个大的记录大厅或交响空间，使用补丁，弦乐部分2或3部分的和声。

结果是一个虚拟仪器，有一个声音和性格是基于采样管弦乐字符串库明显不同。老式的字符串的声音是故意不大，丰富和光滑。这是一个更小的，更亲密，更“人”的声音，从而更准确地模拟弦音对那些经典的老唱片。

快速和容易使用预先设定的补丁，弦乐部分

如果你没有很多的经验写字符串，甚至如果你是一位经验丰富的弦乐编曲紧的最后期限，年份字串也提供了一些预编程仪器补丁，可以帮助你快速创建伟大的测深部分字符串。这些包括色调协调的补丁，其中包含2部分，3部分和4部分的补丁，2，6，和12把小提琴。用一只手指在键盘上你可以很容易地在2部分写串线（区间），3部分（黑社会），或4个部分（第七和弦）。其次，色调协调补丁包括固定的和弦与区间包含2部分，3部分和4部分和弦补丁，补丁，2，6，和12把小提琴。这些补丁程序，以发挥特定的时间间隔或和弦根据12个不同的按键类型的补丁。

复古的字符串图形用户界面

老式的字符串图形用户界面（图形用户界面）非常简单，易于使用。该接口的主要页面包括控制磁带饱和，高情商，和15个自定义选择卷积混响混响。

协调页面

在统一的页面上，您可以选择间隔或基于和弦的预置补丁的关键和规模，或创建自定义间隔和和弦为您自己的补丁。

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