密码: nc17
Impact Soundworks Rhapsody Orchestral Percussion KONTAKT | 10.6 Gb
This exquisite symphonic collection for KONTAKT features a comprehensive collection of 50 traditional & extended percussive instruments recorded through three mic positions. With a clean, focused character that is not clinically dry OR overly ‘epic’, Rhapsody: Orchestral Percussion is highly flexible for everything from small ensemble scoring and intimate cues to dramatic & bombastic. No other percussion library is as extensive AND affordable; we couldn’t be more proud to share it with you!
Our goal with Rhapsody: Orchestral Percussion was nothing less than creating the most versatile and affordable percussion library ever. With 50 instruments, 100+ articulations, and 21+ gigabytes of raw recordings, calling this collection ‘comprehensive’ is an understatement. Each instrument has been exhaustively sampled with up to 10x RR and 5x velocity layers, captured across three mic positions in a gorgeous orchestral hall.
Rhapsody: Orchestral Percussion goes beyond the standard suite of drums (i.e. bass drum, snare, toms, cymbals) to include a wide variety of aux percussion (i.e. shaker, sleigh bells, castanets, chimes, metals, wood & temple blocks), hand drums (i.e. djembe, bongos, cajon, darbuka), and chromatic instruments (i.e. glockenspiel, xylophone, marimba, crotales, tubular bells).
Besides its scope and affordability, what else sets this library apart? Most orchestral percussion libraries strive for the ideal of “epic” through big halls and lots of reverb: a huge sound for a huge price. Rhapsody: Orchestral Percussion was instead recorded & designed to function in any musical context, from small, emotional pieces, to tense underscores, and even bombastic, loud, and – yes – epic tracks.
Rhapsody: Orchestral Percussion is exceptionally versatile with three user-blendable mic positions: close, stage (decca) and hall. The close mics offer a dry, present, and neutral sound with a hint of air – ideal for small ensembles and intimate scoring. Stage and hall mics provide natural, but not overwhelming, reverb and space from the lovely hall.
Each microphone position within Rhapsody can be thoroughly customized through volume, panning, stereo width, and offset controls – or disabled entirely to preserve memory. Whether your goal is a tight and focused percussion section, or something booming and epic, Rhapsody offers a natural and “honest” sound that works in any production.
Our philosophy when building instruments is to design with composers in mind. To that end, we’ve created a intuitive interface for the library that provides customization and control without being overly complex.
影响中国| SOUNDWORKS狂想曲管弦乐打击乐10.6 GB
这优美的交响乐行业特点，全面收集中国传统打击乐器通过50扩展三MIC的位置记录。用干净的，集中的字符不是临床上干或过于“史诗”狂想曲：管弦乐，打击乐是高度灵活的小合奏评分和戏剧性和夸张的贴心的提示一切。没有其他的打击图书馆是一样广泛和实惠，我们不能更自豪地分享它与您！
我们的目标：没有比狂想曲管弦乐打击乐创造最通用的和负担得起的打击乐图书馆越来越少。50种乐器，100 + 21 +关节，和兆字节的原始记录，称这个集合的“全面”是轻描淡写。每个仪器已详尽的采样到高达10倍的RR和5X速度层，捕捉到在一个华丽的管弦乐厅三话筒的位置。
狂想曲：管弦乐打击乐去超越标准套房鼓（即低音鼓，网罗，手鼓，钹）包括各种各样的AUX打击乐（即振动筛，雪橇铃铛，响板，编钟，金属，木材和寺块），手鼓（即非洲鼓，手鼓，狭谷，darbuka），和色度仪器（即钟琴，木琴，木琴，铙钹，管钟）。
除了它的范围和负担能力，还设置了这个库？大部分管弦乐打击乐图书馆争取“史诗”通过大厅和很多混响的理想：为巨大代价巨大的声音。狂想曲：管弦乐打击乐是不是记录与设计的功能在任何音乐背景，从小型，情感碎片，紧张了，甚至是夸张的，大声的，和–是–史诗轨道。
狂想曲：管弦乐打击乐与三用户-麦克风位置多才多艺：近阶段（Decca）和大厅。关闭麦克提供干，目前，与小合奏和亲密得分一丝空气–理想中性的声音。舞台和霍尔MIC提供天然的，但不是压倒性的，从可爱的大厅混响和空间。
在每个传声器位置狂想曲可以彻底定制的通过量，淘洗，立体声宽度，和偏置控制–或完全禁用保存记忆。无论你的目标是一个严密的打击乐和专注，或是蓬勃发展的史诗，狂想曲提供了一个自然和“诚实”的声音，可以在任何生产。
我们的理念，当建筑乐器是设计与作曲家的思想。为此，我们已经建立了一个直观的界面，为图书馆提供定制和控制，而不过于复杂。