密码: 8qgf
Impact Soundworks Groove Bias KONTAKT EXS | 2.28 Gb
The goal of Groove Bias was to create a set of deeply sampled acoustic drum kits inspired by classic 50s, 60s and 70s records and the timeless breakbeats we all know and love. For decades, these sounds have been imitated and sampled over and over, but many producers have preferred to try and capture old kits with pristine, modern recording methods. Not so with this library. Our motto was “the more tubes, the better,” and we armed ourselves to the teeth with beat-up mics, analog gear, vintage drums and tape machines.
Groove Bias works in a wide range of genres thanks to the way we designed and recorded it. Sweeten it with some extra saturation (or pull up the appropriate preset) and it can provide the basis for a Chemical Brothers style big beat track. Tweak the low end and add a bit of vinyl buzz and you’ve got kit sound right out of “In a Gadda da Vida”. Set up your MPC and dial up the room mics and you’re creating classic drum breaks that are completely fresh. This is a library for people that love their drums.
We put over eight months of work into the meticulous recording and editing process, whole sessions going by before we were finally satisfied with a single snare sound. The result is what we think you’ll agree is the funkiest, “phattest” acoustic drum library around. We hope you enjoy Groove Bias!
The library contains nearly 4,000 samples (4 gigabytes) across three custom drum kits and a set of percussion. The audio content includes five snares, four kicks, nine toms, three hats (closed, loose, open, pedal), two rides, two crashes, two splashes, two rims, handclaps, tambourine, shaker, agogo, bongos, woodblocks, cowbell and triangle. Unlike the various enormous drum libraries out there, Groove Bias simplifies mixing, combining mics into single patches (though you often have access to separate overhead/room mixing, for example, to control natural reverb.)
Despite the lo-fidelity recording method and old-school gear used, all the audio for this project was dumped and edited from Pro Tools at 24-bit, 96 kHz. The samples (WAV format) are a mix of mono and stereo, where appropriate. Every single patch has a minimum of five round robins and five velocities, all the way up to sixteen velocities and ten round robins for some patches, such as some of the snares.
Format: NKI NKM EXS WAV
影响中国| SOUNDWORKS槽偏置EXS 2.28 GB
槽偏置的目的是创建一套深取样声鼓包的灵感来自经典50，60年代和70年代的记录，我们都知道永恒的音乐和爱。几十年来，这些声音被模仿和采样，但许多生产商都喜欢尝试和捕捉原始的，现代的记录方法的旧包。不要如此与这个库。我们的口号是：“越管，更好，“我们武装自己的牙齿打了麦克风，模拟齿轮，老式鼓和磁带机。
在广泛的风格，因为我们设计和记录的方式，槽偏见的作品。使它与一些额外的饱和（或拉上了适当的预置）可以为化学兄弟的风格大打轨道提供依据。调整低端和加上一点点的乙烯基的嗡嗡声，你有权“套装音响在耶达大Vida”。设置您的MPC和拨号的房间麦克和你创造经典的鼓打破了全新的。这是一个图书馆的人，爱他们的鼓。
我们把八个多月的工作投入到细致的记录和编辑过程中，在我们最终得到满意的单一的陷阱声音之前，整个课程都在进行着。结果是我们认为你会同意，是的，”phattest”声鼓图书馆。我们希望你喜欢槽偏见！
该库包含近4000个样本（4字节）跨越三个自定义鼓包和一套打击乐。音频内容包括五个圈套，四球，九汤姆斯，三顶帽子（封闭，松散，开放，踏板），两个骑，两个崩溃，两个飞溅，两个轮辋，拍手，铃鼓，振动筛，哥哥，手鼓，木版，铃铛和三角形。与各种巨大的鼓图书馆外面，槽偏置简化混合，结合最低抑菌浓度（MIC）为单一的补丁（虽然你经常访问单独的混合室/开销，例如，控制自然混响。）
尽管使用了录音的方法和旧的学校设备，所有的音频，这一项目被倾倒和编辑的专业工具，在24位，96千赫。样品（WAV格式）是一种混合单声道和立体声，在适当的地方。每一块至少有五轮和五罗宾斯的速度，一直到十六的速度和一些补丁十轮罗宾斯，如一些的陷阱。
格式：NKI NKM exs WAV