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Hollow Sun FS1R Collection KONTAKT | 364 Mb
Yamaha had been the top of the tree for some years in the '70s with their analogue polysynths such as the CS80 but that market was snatched away from them by the Prophet 5 and later, the Oberheims. As fabulous as the CS80 was, it was a big and heavy bugger and had to be treated with kid gloves on the road otherwise all the sensitive little trimmer pots could be knocked out of whack leaving the thing horribly out of tune. It was also extremely expenive. The Prophets and Oberheims were light and portable by comparison and a lot cheaper (if you consider ?3,000 'cheap'!). Not only that, they were totally programmable unlike the CS80's somewhat kludgy programmable four patch memories. And so Yamaha fell from grace and despite valiant attempts, they couldn't compete with the Prophets and Oberheims.
But in 1982, they came back with a vengeance when they released their legendary DX7.
Almost everyone bought a DX7 (or one of its derivatives) and its sound was everywhere from back-street pubs and cabarets to headline stadium gigs. Every record you heard was littered with DX sounds until Roland and later Korg killed Yamaha's domination with their D50 and M1 respectively.
Yamaha tried to hang on with more and more variations on the FM theme but this eventually dwindled to nothing - Roland and Korg's sample-based instruments were the new standard and you could barely give away those FM synths that were once the height of musical fashion.
It was a surprise then when, in 1998, Yamaha released their FS1R.
Here was a new, 32-voice FM synth module with not a sample in sight! But this wasn't '80s FM - this was FM on steroids with more operators, more algorithms, new 'formant' operators, multi-mode resonant filters and multi-effects.
It was also a surprise when, with over a thousand almost uniformly stunning on-board sounds, the FS1R was not a commercial success and it sank pretty much without trace just a few years later. The FS1R's collapse in the market has largely been attributed to its impenetrable user interface but the polyphony wasn't generous (and halved if you used certain filter types) and it was a difficult concept for many to understand. The 1U rack mount form factor probably didn't help either and its fortunes might have been different had Yamaha released it as a keyboard with more knobbage and a larger, better screen. We will never know.
That said, an FS1R will fetch good money on eBay today and are much sought after and not without good reason - it can make THE most astonishing sounds. Even if you never hit the EDIT button and use it solely for its presets, there's a wealth of fabulous noises to be had, many of which are captured here.
In collaboration with Dutch FS1R owner, Martijn Buiter, I have a comprehensive collection of outstanding samples that cover the gamut of lush strings, sparkiling electric pianos, spiky clavs and basses, sonorous bells, swirling organs and the high spot of the collection - the expansive, spacious pads which are truly out of this world.
But these are not your typical two-a-penny FM sounds - this is FM with attitude! If you have ever fancied an FS1R but can't stump up the sometimes hefty eBay prices (or are intimidated by the programming), here's an opportunity to dip your toe in the water with this comprehensive collection of FM sounds, old and new with an easy to use UI for quick and easy tweaking.
中空阳光fs1r收集| Kontakt 364 MB
雅马哈有过的最高的树几年在70年代与模拟polysynths如cs80但市场被抢走他们的先知5后，oberheims。作为神话般的cs80，它是一个大而笨重的家伙，不得不被视为羔皮手套的道路上否则所有敏感的小微调盆可以被淘汰的重击留下的东西可怕走调。它还极expenive。先知和oberheims是轻便的比较便宜很多（如果你认为呢？3000“便宜”！。不仅如此，他们完全可编程与cs80有些复杂可编程四补丁的记忆。所以雅马哈失宠尽管勇敢的尝试，他们不能与先知和oberheims竞争。
但在1982，他们回来复仇，当他们发布他们的传奇DX7。
几乎每个人都买DX7（或其衍生物）和它的声音是从背街的酒吧和夜总会标题到处演出。每天记录你听到的声音是DX直到罗兰后来杀死他们的统治Korg雅马哈D50和M1分别。
雅马哈尝试到挂在与FM主题的变化，越来越多的但这最终减少到什么-罗兰Korg的样本为基础的手段进行新标准，你几乎不能放弃那些FM合成器，一旦音乐时尚的高度。
这是一个惊喜，然后，1998，发布了自己的fs1r雅马哈。
这里是一个新的，有没有看到一个样本32语音调频合成器模块！但这不是80 -这是FM与更多的运营商，更新算法的类固醇，共振峰的经营者，多模谐振滤波器和多效。
这也是一个惊喜时，超过一千的惊人的声音几乎一致上，fs1r不是商业上的成功和它沉没几乎没有几年后的痕迹。在市场fs1r崩溃已经在很大程度上是由于其坚不可摧的用户界面但复调不是慷慨（减半，如果你使用某些类型的过滤器），这是一个难以理解的概念了解很多。1U机架式外形可能没有帮助，它的命运可能已经不同了雅马哈释放它作为一个更knobbage和一个更大更好的屏幕键盘。我们永远不会知道。
说，一个fs1r拿好钱易趣网今天是抢手的，没有很好的理由：它能使最惊人的声音。即使你不打编辑按钮和专为其设置使用它，有许多非常好的声音是有，其中有许多是在这里捕获。
合作与荷兰fs1r所有者，比特Martijn，我已经全面收集优秀样本覆盖的色域郁郁葱葱的字符串，sparkiling电钢琴，尖clavs和贝司，洪亮的钟声，旋转机构和高一点的集合-的膨胀，宽敞的垫是真正离开这个世界。
但这些都不是你的典型的声音-这是很容易的FM调频与态度！如果你曾经幻想一个fs1r但不能掏腰包的有时高额易趣网价格（或吓倒编程），这里的脚趾浸在水与这种全面收集调频声音，旧的和新的易于使用的用户界面快速和易于调整的机会。