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Soniccouture Grand Marimba KONTAKT-MAGNETRiXX

TEAM MAGNETRiXX 12 May 2014 | 3.22 GB

When we decided to sample a marimba, we knew we wanted to find a 5 octave concert model. There's something very special about the enormous bass notes of a full sized model. The Yamaha 6100 model, which was designed in collaboration with world-renowned marimba legend Keiko Abe, seemed to be the natural choice.

A descendant of the African balafon, the modern marimba originated in Mexico, and is typified by wooden (rosewood or the cheaper padauk) bars mounted above metal resonator tubes, which can be tuned using stops.

The 6100 marimba represents the absolute state of the art, with exclusive precision tuning which ensures true pitch and a full sound, while the Honduran Rosewood bars and welded resonators give rattle-free playing.

Tremolo Module

Tremolo is such a common marimba technique we've designed an original Kontakt module to mimic this type of performance with unparalleled accuracy. It comfortably handles 1 to 4 voices of harmony (since marimba players rarely use more than 4 mallets), and will intelligently remap the tremolo in real time based on the incoming MIDI or your playing. The speed and velocity of the Tremolo can be modulated in real time using a MIDI controller.

Recording Grand Marimba

The instrument is massive, almost 3 meters across, which makes recording it a challenge ; it isn't possible to get too close to an instrument that large and maintain any sort of sensible stereo image. And since we were aiming for an intimate, non-ambient, recording, we needed a very large but relatively dry studio to work in.

3 Mic pairs were used : AKG414s (with CK12 capsules), Shoeps cardioids, and AEA ribbons further back in the room. These mics were mixed down to a stereo signal in post production. The positions can be seen in the picture below.

Articulations

Mallet : The main articulation, and the most common marimba sound. 5 different mallet types were used during the recording, to ensure a consistent timbre across the entire range of the instrument.

Roll : A played Roll, sampled and looped from the marimba player's actual performance. Don't confuse this with Tremolo. In fact, marimba players rarely use Rolls, so this is a special effect of sorts.

Stick : Made by hitting the marimba with the handle of the mallets rather than the head. This is a kind of special effect you find in contemporary marimba repertoire, so we included it here. This sound is sometimes called "Rattan".

Bow : The marimba bowed with a cello bow. Produces a sustained, pad-like sound.

More Info:_

http://www.soniccouture.com/en/products/26-percussion/g43-grand-marimba

Soniccouture 大木琴开播-MAGNETRiXX

团队 MAGNETRiXX 2014 年 5 月 12 日 |3.22 GB

当我们决定样本的木琴时，我们知道我们想要找到 5 倍频程音乐会模型。还有一些非常特殊的巨大的低音音符的全尺寸模型。雅马哈 6100 模型，设计了与世界知名的木琴传奇安倍圭子合作，似乎是自然的选择。

非洲举行的后裔，现代的木琴起源于墨西哥，和典型的木 (花梨木或便宜红木) 酒吧上面金属谐振腔管，可以调整使用停止安装。

6100 木琴表示绝对艺术状态与独家精密调整，确保能够在真实球场和饱满的声音，同时洪都拉斯红木酒吧和焊接谐振器给拨浪鼓免费玩。

颤音模块

颤音是性能的这种常见木琴的技术我们设计了一个原始的开播模块来模仿这种类型与准确性无与伦比。它舒适和谐的 1 到 4 声音处理 (自木琴玩家很少使用超过 4 木槌)，并将智能地重新映射实时基于传入的 MIDI 或你的演奏颤音。可以使用 MIDI 控制器实时调制的速度与速度的颤音。

记录盛大木琴

该仪器是巨大的几乎 3 米宽，这使得记录它的挑战;它不是可能得到太接近，大型仪器和维护任何类型的明智的立体图像。而因为亲密的、 非环境，为我们勾画记录，我们需要很大，但相对干燥的工作室工作。

3 麦克风对被使用: (与检测出 CK12 胶囊) AKG414s、 Shoeps 心脏线和 AEA 色带进一步回房间。这些中等收入国家被混合到一个立体声信号在后期制作中。位置可以看到下面的图片中。

关节

木槌: 主要的清晰度和最常见的木琴声音。5 不同槌类型被用于在录制过程中确保一致的音色仪器的整个范围。

辊: A 扮演角色、 采样和环从木琴球员的实际性能。不要混淆这用颤音。事实上，木琴演奏者很少使用卷，所以这是一种特殊效果的种类。

棒: 由打柄木槌，而不是头部的木琴。这是一种特殊效果您可以在当代马林巴琴曲目，所以我们在这里包含它。这种声音有时被称为"藤"。

弓: 木琴鞠了一躬与大提琴弓。产生持续的垫状的声音。

更多的信息: _ http://www.soniccouture.com/en/products/26-percussion/g43-grand-marimba