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TONEWHEEL ORGAN HEAVYWEIGHT. The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities.

Monarch of electronic organs, the rich sounding B3 has been a staple of jazz, gospel, rock, reggae and R&B—not to mention pro studios everywhere—for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Our faithful homage includes an authentic rotary speaker and an array of stomp boxes, plus inspiring updates like analog circuit mods and drawbar modulation for new animated and syncopated effects.

Majestic sound

The B-3 V gives you the sound of undisputed organ royalty—roadies not required.

No other organ captured the hearts of keyboardists, spanning so many genres and years. It had the subtlety for jazz at the hands of artists like Jimmy Smith, Joey Defrancesco and John Medeski. It had the grace for gospel, as demonstrated by Elbernita “Twinkie” Clark and Cory Henry. It had the energy to drive the reggae behind the likes of Bob Marley and Jimmy Cliff, and the soul of James Brown and Sly Stone. Most visibly, it had the raw power to hold its own in a rock world as diverse as ELP, Santana, Yes, Pink Floyd, Deep Purple, The Allman Brothers, and Blood, Sweet and Tears.

Whether you’re playing solo, in a group, or in a mix, Arturia’s B-3 V lets you cover the organ parts for any genre using the sound and feel of the real thing.

Unmatched authenticity

Even if you already have a virtual tonewheel organ…

you owe it to yourself to try the B-3 V.

There are organs and there are B3s. Then there are B3 emulations and Arturia’s B-3 V. Where most other attempts are based on samples that only capture some of the qualities, we created the B-3V using the same critically acclaimed modeling technology that distinguishes our entire V Collection of classic instruments. We put that same attention to detail into the included rotary speaker as well.

When you can have the best, why settle for anything less?

Even better with age

The B-3 V improves on a classic, with everything you need in an organ rig and more built right in.

Rotary speakers have become an essential part of the tonewheel organ sound, so we’ve naturally included one. Why stop there? We’ve added lots of other options including multiple reverbs, an array of effects pedals, and even the ability to modify previously fixed analog circuit features like key click. Our most radical enhancement is the addition of a modulation section to automate the movement of drawbars using envelopes, LFOs and step sequencers, letting you infuse your music with new animated textures.

With its combination of faithful realism and new mods, the B-3 V has you covered whether you’re playing standards, rocking classics or pioneering new musical ground.

Main Features:

Physical Modeling Engine (no samples)

Dual manual Interface

Each manual has separate MIDI channel preferences

9 Drawbars per manual

3 modeled chorus and vibrato settings

Separate upper and lower ON/OFF

Preamp drive

Modeled rotary speaker emulator

Advanced controls for adjusting the model

Convolution based Reverb

Traditional Leslie performance controls

Swell pedal

Percussion controls

On/off

Volume soft/normal

Slow/Fast decay

Harmonic selection

Output effects where you can change the order

Volume, wah, auto-wah

Flanger

Compressor

Chorus

Analog Delay

New Advanced Drawbar modulators

LFO’s with multiple waveforms and phase

Multipoint envelopes

Step sequencer

Drawbar destinations with positive and negative amount controls

Physical model engine parameters

Drawbar leakage

Tonewheel leakage

Brilliance

Background noise

Polyphonic Percussion

Key click volume

Attack and release controls

86 factory presets

Easy to use MIDI mapping