WEB FLAC, Lossless | Classical | 2.37 gbDisc: 11. Vol. I – Musical Phonology / First of All2. Vol. I – Musical Phonology / Perhaps the Principal Thing3. Vol. I – Musical Phonology / Let Me Start4. Vol. I – Musical Phonology / This is Not Just a Sentimental Anecdote5. Vol. I – Musical Phonology / From this Time6. Vol. I – Musical Phonology / But How do we Investigate7. Vol. I – Musical Phonology / Now You Can See8. Vol. I – Musical Phonology / Universality is a Big Word9. Vol. I – Musical Phonology / Other Linguists10. Vol. I – Musical Phonology / I Began by Imagining Myself11. Vol. I – Musical Phonology / Well, Then I Thought12. Vol. I – Musical Phonology / Let’s Make a Simple Analogy13. Vol. I – Musical Phonology / Maybe Even a Divine One14. Vol. I – Musical Phonology / But Where do these Notes Come from?15. Vol. I – Musical Phonology / This Acoustical Phenomenon16. Vol. I – Musical Phonology / All These Upper Notes17. Vol. I – Musical Phonology / The First Overtone18. Vol. I – Musical Phonology / But More of that Later19. Vol. I – Musical Phonology / But Let’s Not Make the Mistake20. Vol. I – Musical Phonology / And that’s how the Tempered Clavichord21. Vol. I – Musical Phonology / Now this is a Substantive UniversalDisc: 21. Vol. I – Musical Phonology / But Let’s be Careful2. Vol. I – Musical Phonology / And there is Always that Blue Note3. Vol. I – Musical Phonology / But Even these Twelve Tones4. Vol. I – Musical Phonology / I Trust You Realize5. Vol. I – Musical Phonology / And Again Comes a Great Leap6. Vol. I – Musical Phonology / Now this Means7. Vol. I – Musical Phonology / This Is Not to Say that There Were No Drastic Changes8. Vol. I – Musical Phonology / But Meanwhile we are Still in the Golden Age9. Vol. I – Musical Phonology / So, we’re in the Midst of a Chromatic Adventure10. Vol. I – Musical Phonology / And All by Those Progressions11. Vol. I – Musical Phonology / Now, I Must Point Out12. Vol. I – Musical Phonology / Do you Realize13. Symphony No. 40 in G Minor, K. 550 / I. Allegro molto14. Symphony No. 40 in G Minor, K. 550 / II. Andante15. Symphony No. 40 in G Minor, K. 550 / III. Menuetto, Allegretto16. Symphony No. 40 in G Minor, K. 550 / IV. Finale. Allegro assaiDisc: 31. Vol. II – Musical Syntax / Every Once in a While2. Vol. II – Musical Syntax / Last Week3. Vol. II – Musical Syntax / Amen, says Noam Chomsky4. Vol. II – Musical Syntax / I Suppose What Chomsky is Really After5. Vol. II – Musical Syntax / So, Let’s Pull Up Our Socks6. Vol. II – Musical Syntax / All Right, Let’s Try Another One7. Vol. II – Musical Syntax / Why Am I Taking Your Time8. Vol. II – Musical Syntax / Well Then9. Vol. II – Musical Syntax / I Think it Follows10. Vol. II – Musical Syntax / But First, What are These Principles11. Vol. II – Musical Syntax / Tranformational Grammar12. Vol. II – Musical Syntax / But Now Just Think of that Sentence13. Vol. II – Musical Syntax / Since this is not a Linguistics Class14. Vol. II – Musical Syntax / Take the Passive Transformation15. Vol. II – Musical Syntax / Well, it hasn’t Brought us There16. Vol. II – Musical Syntax / Good – Now Just as Three Notes are Linked Together17. Vol. II – Musical Syntax / Now let’s Go Back18. Vol. II – Musical Syntax / Now We Are Ready19. Vol. II – Musical Syntax / Now I Wanna Take You20. Vol. II – Musical Syntax / Well, Transformation, Deletion, Embedding, Pronominalization21. Vol. II – Musical Syntax / I Am Sure I Don’t Have to Trouble22. Vol. II – Musical Syntax / Here I Go23. Vol. II – Musical Syntax / I Have Asked Myself24. Vol. II – Musical Syntax / I Became so FascinatedDisc: 41. Vol. II – Musical Syntax / Let’s Take one Such Utterance2. Vol. II – Musical Syntax / Now Imagine3. Vol. II – Musical Syntax / Now Let’s See4. Vol. II – Musical Syntax / Mozart’s G Minor Symphony5. Vol. II – Musical Syntax / Now Our Job is6. Vol. II – Musical Syntax / That Introductory Accompaniment7. Vol. II – Musical Syntax / What Does this Three-Note Design Mean8. Vol. II – Musical Syntax / The Reason I Pick Symmetry9. Vol. II – Musical Syntax / Now From Here On10. Vol. II – Musical Syntax / And Once Again, We Are Back11. Vol. II – Musical Syntax / By Far the Chief Transformational Principle12. Vol. II – Musical Syntax / You See, One of the Great Failings13. Vol. II – Musical Syntax / Most People Hearing Mozart’s Opening14. Vol. II – Musical Syntax / So What Your Ask15. Vol. II – Musical Syntax / And if You are Still not Convinced16. Vol. II – Musical Syntax / These Ambiguities17. Vol. II – Musical Syntax / For Instance, in this Same First Movement18. Vol. II – Musical Syntax / So All these Syntactic Transformations of the Same Material19. Vol. II – Musical Syntax / He Talks About this Sonnet20. Vol. II – Musical Syntax / Because Now it’s Time21. Vol. II – Musical Syntax / But Now Let’s Listen to22. Vol. II – Musical Syntax / Listen to the Whole Exposition23. Vol. II – Musical Syntax / Development Coming Up24. Vol. II – Musical Syntax / The Circle of Fifths Again25. Vol. II – Musical Syntax / And That Was all One Single SentenceDisc: 51. Vol. III – Musical Semantics / The Other Day2. Vol. III – Musical Semantics / The First Would Show Us One Meaning3. Vol. III – Musical Semantics / Think of this Famous Passage4. Vol. III – Musical Semantics / A Linguist Would Say5. Vol. III – Musical Semantics / Well, I Replied, Chomsky Would Say6. Vol. III – Musical Semantics / Of Course, That Last Metaphorical Leap7. Vol. III – Musical Semantics / Terrific, Said My Blonde Inquisitor8. Vol. III – Musical Semantics / In Fact, When You Think of the Number9. Vol. III – Musical Semantics / All Right, First Let’s Look Briefly10. Vol. III – Musical Semantics / Playing, That’s the Word11. Vol. III – Musical Semantics / But Does This Stravinskian Game Concept12. Vol. III – Musical Semantics / There Are Three Specific Ways13. Vol. III – Musical Semantics / Now, Having Defined My Usages of Metaphor14. Vol. III – Musical Semantics / And Here We Are in Trouble15. Vol. III – Musical Semantics / Are We Feeling What Beethoven Supposedly Felt16. Vol. III – Musical Semantics / We Will Never Know17. Vol. III – Musical Semantics / Now, If We Accept This General Idea18. Vol. III – Musical Semantics / In Our Last Lecture19. Vol. III – Musical Semantics / We All Recognize Antithesis20. Vol. III – Musical Semantics / It Can And It Does21. Vol. III – Musical Semantics / And Again, as in the Poem22. Vol. III – Musical Semantics / In Fact, it Has Been Authoritatively Suggested23. Vol. III – Musical Semantics / We Can Expand the Idea24. Vol. III – Musical Semantics / What Do You Suppose25. Vol. III – Musical Semantics / What’ Seriously Striking26. Vol. III – Musical Semantics / So Why the Pastorale on this Lecture27. Vol. III – Musical Semantics / Let’s Begin at the Beginning28. Vol. III – Musical Semantics / But What of the More Obvious Melodic Material29. Vol. III – Musical Semantics / But to Develop How30. Vol. III – Musical Semantics / Now We Have an Insight31. Vol. III – Musical Semantics / But Wait32. Vol. III – Musical Semantics / But Why Were Just Those Two Notes AddedDisc: 61. Vol. III – Musical Semantics / The Metaphor Arises2. Vol. III – Musical Semantics / But in the Ensuing Four Bars3. Vol. III – Musical Semantics / But That’s Not the Main Event4. Vol. III – Musical Semantics / Well, That’s the Beginning5. Vol. III – Musical Semantics / That’s One of the Questions6. Vol. III – Musical Semantics / This Interference of the Two Frequencies7. Vol. III – Musical Semantics / But What Are We to Say8. Vol. III – Musical Semantics / It Is To Be Found9. Vol. III – Musical Semantics / Now That’s One Way of Looking10. Vol. III – Musical Semantics / At This Point11. Vol. III – Musical Semantics / Even if You Can Succeed12. Symphony No. 6 in F Major, Op. 68 “Pastoral” / I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo13. Symphony No. 6 in F Major, Op. 68 “Pastoral” / II. Scene am Bach. Andante molto moto14. Symphony No. 6 in F Major, Op. 68 “Pastoral” / III. Lustiges Zusammensein der Landleute. Allegro15. Symphony No. 6 in F Major, Op. 68 “Pastoral” / IV. Gewitter. Sturm. Allegro16. Symphony No. 6 in F Major, Op. 68 “Pastoral” / V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. AllegrettoDisc: 71. Vol. IV – The Delights and Dangers of Ambiguity / When I First Wrote Down the Title2. Vol. IV – The Delights and Dangers of Ambiguity / Part of the Danger3. Vol. IV – The Delights and Dangers of Ambiguity / The Idea of Ambiguity4. Vol. IV – The Delights and Dangers of Ambiguity / Similarly, in Our Second Lecture5. Vol. IV – The Delights and Dangers of Ambiguity / Then What’s the Magic Secret6. Vol. IV – The Delights and Dangers of Ambiguity / Enough of Ambiguity7. Vol. IV – The Delights and Dangers of Ambiguity / The Irony of All This8. Vol. IV – The Delights and Dangers of Ambiguity / But, Mind You9. Vol. IV – The Delights and Dangers of Ambiguity / Where Music Was Concerned10. Vol. IV – The Delights and Dangers of Ambiguity / Only Think Of11. Vol. IV – The Delights and Dangers of Ambiguity / And Chopin Well We Can’t Ignore Chopin12. Vol. IV – The Delights and Dangers of Ambiguity / And Then, in The Same Little Mazurka13. Vol. IV – The Delights and Dangers of Ambiguity / Foolish Questions14. Vol. IV – The Delights and Dangers of Ambiguity / Let Me Try to Read You15. Vol. IV – The Delights and Dangers of Ambiguity / Listen To This16. Vol. IV – The Delights and Dangers of Ambiguity / They Began to Intermingle17. Vol. IV – The Delights and Dangers of Ambiguity / The Pivotal Point18. Vol. IV – The Delights and Dangers of Ambiguity / So There Is a Dramatic Change19. Vol. IV – The Delights and Dangers of Ambiguity / So it is After All Not So Surprising20. Vol. IV – The Delights and Dangers of Ambiguity / Now If You Noticed21. Vol. IV – The Delights and Dangers of Ambiguity / You See, the Music Is Trying Hard22. Vol. IV – The Delights and Dangers of Ambiguity / So That Instant in Musical Time23. Vol. IV – The Delights and Dangers of Ambiguity / Now Romeo Is All Stirred Up24. Roméo and Juliet, A Dramatic Symphony, Op. 17 / 1. Roméo Seul: Tristesse – Bruits de Concerts et de Bal – Grand Fête chez Capulet: Andante malinconico e sostenuto25. Roméo and Juliet, A Dramatic Symphony, Op. 17 / Allegro – Larghetto espressivo – (Instrumental)26. Roméo and Juliet, A Dramatic Symphony, Op. 17 / Allegro – (Instrumental)27. Roméo and Juliet, A Dramatic Symphony, Op. 17 / Réunion des duex Themes, du Larghetto et de l’Allegro (Instrumental)28. Vol. IV – The Delights and Dangers of Ambiguity / What a Piece29. Vol. IV – The Delights and Dangers of Ambiguity / Quite Unconsciously Borrowed30. Vol. IV – The Delights and Dangers of Ambiguity / My Purpose In All This31. Vol. IV – The Delights and Dangers of Ambiguity / Is It, Says WagnerDisc: 81. Vol. IV – The Delights and Dangers of Ambiguity / Every Diminished Seventh Chord2. Vol. IV – The Delights and Dangers of Ambiguity / Now the Remarkable Thing Is3. Vol. IV – The Delights and Dangers of Ambiguity / And This Is What Gives Tristan4. Vol. IV – The Delights and Dangers of Ambiguity / Prelude and Love-Death (From “Tristan and Isolde”)5. Vol. IV – The Delights and Dangers of Ambiguity / That May be the Slowest Performance6. Vol. IV – The Delights and Dangers of Ambiguity / But Ultimately7. Vol. IV – The Delights and Dangers of Ambiguity / Poetry Has Begun to Show8. Vol. IV – The Delights and Dangers of Ambiguity / And When Debussy9. Vol. IV – The Delights and Dangers of Ambiguity / It’s Lovely, This Dreaming10. Vol. IV – The Delights and Dangers of Ambiguity / For Example, Do You Remember11. Vol. IV – The Delights and Dangers of Ambiguity / In Fact, the Ending of this Piece12. Vol. IV – The Delights and Dangers of Ambiguity / Let Me Show You Briefly13. Vol. IV – The Delights and Dangers of Ambiguity / This New Episode that Proceeds14. Vol. IV – The Delights and Dangers of Ambiguity / For Instance, Hardly Have We Had Time15. Vol. IV – The Delights and Dangers of Ambiguity / Because the Scale16. Vol. IV – The Delights and Dangers of Ambiguity / It’s Almost Exactly What Happens17. Vol. IV – The Delights and Dangers of Ambiguity / Literally Translated18. Vol. IV – The Delights and Dangers of Ambiguity / But Notice, Too, that the Example19. Vol. IV – The Delights and Dangers of Ambiguity / Both Works Have Definitive Beginnings20. Vol. IV – The Delights and Dangers of Ambiguity / Listen As I Play21. Prélude à l’après-midi d’un faune, L. 8622. Vol. IV – The Delights and Dangers of Ambiguity / Some Crazy Modern MusicDisc: 91. Vol. V – The Twentieth Century Crisis / Our Lecture Tonight2. Vol. V – The Twentieth Century Crisis / Rhapsodie espagnole, M. 54: IV. Feria3. Vol. V – The Twentieth Century Crisis / What a Way to Enter the Twentieth Century4. Vol. V – The Twentieth Century Crisis / But 1908, if the Truth to be Told5. Vol. V – The Twentieth Century Crisis / These Troubling Presentiments6. Vol. V – The Twentieth Century Crisis / So, now in 19087. Vol. V – The Twentieth Century Crisis / This Is Atonality8. Vol. V – The Twentieth Century Crisis / A Charming Idea9. Vol. V – The Twentieth Century Crisis / The Unanswered Question10. Vol. V – The Twentieth Century Crisis / I that Luminous Final Triad11. Vol. V – The Twentieth Century Crisis / I Have Recently Been Reading12. Vol. V – The Twentieth Century Crisis / We Have Already Referred to Some of Those13. Vol. V – The Twentieth Century Crisis / In Any Case14. Vol. V – The Twentieth Century Crisis / But For All These Reasons15. Vol. V – The Twentieth Century Crisis / Son of Tristan16. Vol. V – The Twentieth Century Crisis / Now You Look at Those First Two Bars17. Vol. V – The Twentieth Century Crisis / Of Course, There Are Lots18. Vol. V – The Twentieth Century Crisis / It’s as Though a New Covenant19. Vol. V – The Twentieth Century Crisis / Trouble is, That the New Musical Rules20. Vol. V – The Twentieth Century Crisis / The Kind of Tonal Feeling21. Vol. V – The Twentieth Century Crisis / Of Course, There Are Those Who Say22. Vol. V – The Twentieth Century Crisis / It Seems Somehow Inevitable23. Vol. V – The Twentieth Century Crisis / Is There Possibly the Beginning24. Vol. V – The Twentieth Century Crisis / And What About Beethoven’s Nineth25. Vol. V – The Twentieth Century Crisis / These Are Some of the ProblemsDisc: 101. Vol. V – The Twentieth Century Crisis / Now Let’s Jump Ahead2. Vol. V – The Twentieth Century Crisis / Let’s Put it Another Way3. Vol. V – The Twentieth Century Crisis / First of All, Berg Chose a Tone Row4. Vol. V – The Twentieth Century Crisis / So, All in All5. Vol. V – The Twentieth Century Crisis / Berg: Violin Concerto (Excerpt)6. Vol. V – The Twentieth Century Crisis / Fantastic7. Vol. V – The Twentieth Century Crisis / It Comes at a Point8. Vol. V – The Twentieth Century Crisis / Berg: Violin Concerto: II. Allegro, ma sempre rubato –9. Vol. V – The Twentieth Century Crisis / If This Particularly Demanding Lecture10. Vol. V – The Twentieth Century Crisis / If You Really Have Been Thinking11. Vol. V – The Twentieth Century Crisis / But While Restudying this Work12. Vol. V – The Twentieth Century Crisis / The Twentieth Century13. Vol. V – The Twentieth Century Crisis / What Do You Do If You Know All This14. Vol. V – The Twentieth Century Crisis / It’s Very Strange, How the Pieces15. Vol. V – The Twentieth Century Crisis / What Exactly Was This News16. Vol. V – The Twentieth Century Crisis / We Emerge From a Cinema17. Vol. V – The Twentieth Century Crisis / As You Listen to This Finale18. Vol. V – The Twentieth Century Crisis / This is Mahler19. Symphony No. 9 in D Major / IV. Adagio. Sehr langsam und noch zurückhaltendDisc: 111. Vol. VI – The Poetry of Earth / I Know What Your Are Thinking2. Vol. VI – The Poetry of Earth / What About This3. Vol. VI – The Poetry of Earth / I Am Plaguing You With this Question4. Vol. VI – The Poetry of Earth / Of Course What he is Really Talking About5. Vol. VI – The Poetry of Earth / But It Was Precisely6. Vol. VI – The Poetry of Earth / Now I Have Just Used Two Words7. Vol. VI – The Poetry of Earth / In Fact, It Was Satie, Picasso, and Cocteau8. Vol. VI – The Poetry of Earth / But Our Scene9. Vol. VI – The Poetry of Earth / Even in the Most10. Vol. VI – The Poetry of Earth / For Our Purposes11. Vol. VI – The Poetry of Earth / Musicologists Are Always Pointing12. Vol. VI – The Poetry of Earth / But Bitonality Does Not Only Serve13. Vol. VI – The Poetry of Earth / Of Course, Polytonality Can And Does14. Vol. VI – The Poetry of Earth / Now What’s Going On15. Vol. VI – The Poetry of Earth / And While You Are in That Record Shop16. Vol. VI – The Poetry of Earth / Of Course, These Asymmetries17. Vol. VI – The Poetry of Earth / Brutal It May Be18. Vol. VI – The Poetry of Earth / Now, Remember19. Vol. VI – The Poetry of Earth / These Are Two Sets20. Vol. VI – The Poetry of Earth / Just Cast An Eye21. Vol. VI – The Poetry of Earth / Now That Page of Music22. Vol. VI – The Poetry of Earth / But the Most Striking Semantic Effect23. Vol. VI – The Poetry of Earth / This New Aesthetic Relaxation24. Vol. VI – The Poetry of Earth / Even Some Germans25. Vol. VI – The Poetry of Earth / You Can See How the Transformation26. Vol. VI – The Poetry of Earth / Chomsky Himself Gives a Classic Example27. Vol. VI – The Poetry of Earth / Very Important, the Ironic Element28. Vol. VI – The Poetry of Earth / So, It Would Seem29. Vol. VI – The Poetry of Earth / But This Neoclassic Approach30. Vol. VI – The Poetry of Earth / I Think This Is Again a Moment31. Vol. VI – The Poetry of Earth / It’s the Essence32. Vol. VI – The Poetry of Earth / If This Poem Were RewrittenDisc: 121. Vol. VI – The Poetry of Earth / Why Have I Digressed2. Vol. VI – The Poetry of Earth / Now Can You Understand3. Vol. VI – The Poetry of Earth / Untermeyer Called This4. Vol. VI – The Poetry of Earth / Of Course, With the Waste Land5. Vol. VI – The Poetry of Earth / But the Thing of It All Is6. Vol. VI – The Poetry of Earth / We Are Going to Hear7. Vol. VI – The Poetry of Earth / One Has Only Learnt to Get8. Vol. VI – The Poetry of Earth / Now I propose Only Because9. Vol. VI – The Poetry of Earth / This Union Is Possible Only Because10. Vol. VI – The Poetry of Earth / But What Has All This to Do With Stravinsky11. Vol. VI – The Poetry of Earth / And This Is the Essence12. Vol. VI – The Poetry of Earth / Look: Here Is a Joke13. Vol. VI – The Poetry of Earth / Chilling, Shattering, Neoclassic14. Vol. VI – The Poetry of Earth / Stravinsky’s Own Aesthetic Pronouncements15. Vol. VI – The Poetry of Earth / But Of Course He Was Forced16. Vol. VI – The Poetry of Earth / And Now We Are Finally Ready17. Vol. VI – The Poetry of Earth / And Then Mozart Appears18. Vol. VI – The Poetry of Earth / But This Eclecticism Knows No Bounds19. Vol. VI – The Poetry of Earth / Now All This I Had Planned to Tell You20. Vol. VI – The Poetry of Earth / You Think That’s Funny21. Vol. VI – The Poetry of Earth / How About That22. Vol. VI – The Poetry of Earth / Then Came the Answer23. Vol. VI – The Poetry of Earth / But Why This Particular Misalliance24. Vol. VI – The Poetry of Earth / My Words Are PoorDisc: 131. Stravinsky: Oedipus Rex / Prologue: “Your Are About to Hear a Latin Version of Oedipus the King – Michael Wagner2. Stravinsky: Oedipus Rex / Act I: “Caedit nos pestis”3. Stravinsky: Oedipus Rex / Act I: “Liberi vos liberabo”4. Stravinsky: Oedipus Rex / Act I: “This is Creon, Brother-In-Law of Oedipus – Michael Wagner5. Stravinsky: Oedipus Rex / Act I: “Respondit Deus”6. Stravinsky: Oedipus Rex / Act I:” Oedipus Questions the Fountain of Truth7. Stravinsky: Oedipus Rex / Act I: “Dicere non possum”8. Stravinsky: Oedipus Rex / Act I: “Gloria!”9. Stravinsky: Oedipus Rex / Act II: The Dispute of the Princess Attracts the Attention of Jocasta10. Stravinsky: Oedipus Rex / Act II: “Nonn’erubescite, reges”11. Stravinsky: Oedipus Rex / Act II: “Ne Probentur Oracula”12. Stravinsky: Oedipus Rex / Act II: “Ego senem cecici”13. Stravinsky: Oedipus Rex / Act II: The Witness to the Murder Comes Out of the Shadow – Michael Wagner14. Stravinsky: Oedipus Rex / Act II “Adest omniscius pastor”15. Stravinsky: Oedipus Rex / Act II: “Nonne monstru rescituri”16. Stravinsky: Oedipus Rex / Act II: And Now You Are Going to Hear That Famous Monolog – Michael Wagner17. Stravinsky: Oedipus Rex / Act II: “Divum locastae caput mortuum!”18. Stravinsky: Oedipus Rex / Act II: “Ecce! Regem Oedipoda”19. Stravinsky: Oedipus Rex / Va-le-di-co20. Stravinsky: Oedipus Rex / During that Decade21. Stravinsky: Oedipus Rex / It Was At This Point That I Wrote22. Stravinsky: Oedipus Rex / What Interests Me About It23. Stravinsky: Oedipus Rex / Is it Possible24. Stravinsky: Oedipus Rex / It’s As Tough in the Period25. Stravinsky: Oedipus Rex / And I Believe