FLAC tracks | Classical | 63:51 | 1CD | 267 MbIt is the part the cello must interpret by assuming or acquiring a human nature.

Dvořák transforms it into a warm lyrical baritone.

He repopulates it with harmonics and nuances.

And he shows us that the best way to overcome cello “limitations” is none other than to transcend it.

Dvořák turns the cello into a meta-cello.

Just as in a Mephistophelian pact, he achieves the feat of “animating” it.

And the soul is in the score.

You have to know how to find it.

No one better to do it than Adolfo Gutiérrez Arenas, from his sensitivity, spontaneity and affinity to an instrument he would never have wanted to explore if Bach and Dvořák had not persuaded him otherwise.

Tracklist:1. Cello Concerto No. 2 in B Minor, Op. 104, B. 191 I. Allegro2. Cello Concerto No. 2 in B Minor, Op. 104, B. 191 II. Adagio ma non troppo3. Cello Concerto No. 2 in B Minor, Op. 104, B. 191 III. Finale. Allegro moderato4. Klid, Op. 68 No. 5, B. 182 (Version for Cello & Orchestra)5. Rondo in G Minor, Op. 94, B. 1816. 4 Lieder, Op. 82, B. 157 No. 1, Lasst mich allein (Arr. for Cello & Piano)