本教程是由CMIVFX机构出品的Houdini数据连线制作教程，时长：2小时11分，教程使用软件：Houdini，作者：Adam Swaab,Juan Madrigal，官方发布时间：2012年2月15日，语言：英语。

Houdini不光只适用于视觉特效的制作，随着HOUDINI适用于各种平台，并且出现了很多的HOUDINI培训教学，HOUDINI开始进入了动态图像设计领域。因为其自身的流程化特性，加上其强大的动力学系统，让HOUDINI在数据可视化方面占有一席重要的地位，让图形设计师能够通过它表达自己的观点。

Houdini 是一个特效方面非常强大的软件。许多电影特效都是由它完成：指环王中“甘道夫”放的那些“魔法礼花”，还有“水马”冲垮“戒灵”的场面，后天中的龙卷风等等，a52的汽车广告，反正只要是涉及DD公司制作的好莱坞一线大片，几乎都会有Houdini参与和应用。

Houdini is not just for visual effects. With the availability of Houdini for all platforms and the variety of training materials now available, Houdini is making headway into the world of motion graphics. The procedural nature of Houdini, combined with its powerful dynamics system, make Houdini an important player in visualizing data and allowing graphic artists to express themselves in new and powerful ways.In this tutorial series we are going to look at a current design trend - data connections - and build a procedural system in Houdini to accomplish this task while harnessing all the additional benefits Houdini has to offer. We'll learn how to draw connections between relational points of data (in this case, by proximity), create text readouts of the cg-ku.com data, and combine this system with Houdini's dynamics network. At the end of the tutorial, the viewer will know how to create a reusable digital asset to handle this effect, and hopefully learn a few new tricks along the way!

NOTICE TO VIEWERS:

This video is going to be the gateway for cmiVFX to open up to new markets outside of the standard high end visual effects and computer graphics vertical markets by adding motion graphics design videos to its library. Seamless transition will be achieved for those migrating from film and gaming to broadcast media.

Chapter Descriptions

The Line

We begin by understanding the add SOP in Houdini and what it needs to draw lines. We explore point order, groups, and attributes.  Finally, we look at a practical example or creating particle trails, using attributes and our knowledge of the add SOP.

Nearest Point

We discuss ways of finding the nearest point from one location in space to some arbitrary geometry.  We make use of the nearpoint() expression, and show a way to affect the nearest returned point with group selection and color.

Point Clouds

We introduce point clouds and then roll that into our nearest point solution.  First we look at point clouds, in general, making particles flow along a curve.  Next, we look specifically at how point clouds and offer a solution to our nearest point problem.

Drawing Lines

We draw lines between our nearest points and discuss a strategy for cleaning up our resulting geometry.  We make heavy use of the ForEach SOP, and encapsulate everything into our final digital asset.

Mentor Biography

Adam Swaab is a designer, animator, and visual effects artist working in Los Angeles.  His film credits include Tron Legacy, Mission Impossible: Ghost Protocol, and Twilight Saga Breaking Dawn.

THE LESSON PLAN

Introduction

1. Explain who I am, my experience, and what I want to show in this lesson

2. Explain pre-requisites

3. Show example movies that the user will be able to create with the tools from this lesson

CONNECTIONS INTRO

We will begin cg-ku.com by talking about the effect we are trying to achieve.  We will break down how to solve this problem, piece by piece.  We will talk about the necessary components needed to solve this problem.

First, we have to define what the tool will do and how the user will interface with it.

We want a tool that will:

1. Take in two arbitrary point objects as inputs.

2. Draw lines between the nearest n points of these inputs (as defined by the user).

3. The lines should inherit certain attributes from the points (Cd, uv, Alpha, etc.).

4. We should produce clean, renderable geometry

5. This tool should be flexible. Should allow for multiple scenarios and be robust enough that the user should not have to alter internal settings

So, we will need to know a few things…

1. How to draw lines.

2. How to find the nearest point on an arbitrary geo to some point in space

3. How to find the nearest points on an arbitrary geo to multiple points in space

4. How to get attributes from the points we find

5. How to clean up problems with the geometry

6. How to encompass all of this within a digital asset

Lesson 1: How to Create Lines

1. Line Creation Example (shows different methods of creating lines using add sop)

a. Create lines for all points in point order.

b. Use an attribute to create lines

c. Use groups to create lines

d. Line tool, and then manually setting the points

2. Show how to make particle trails using the add sop and attributes.

Lesson 2: Finding the nearest point

1. Using nearpoint expression.

a. Quick example to show how nearpoint expression works

b. Explain exhelp and how to use it

c. Use point expression, as well

d. Explain other ways of finding hscript commands

e. Prove that this worked.  Drive some color on geometry if it is the nearest point.

2. Using pointclouds and vops

a. Demonstration of pcopen, pciterate, pcimport, while, importattribute, addattribute

b. Explanation of opinputpath expression

Lesson 3: Finding the nearest n points

We'll take the principles we learned in the last lesson and encapsulate it in a digital asset

1. Create nearest point otl

2. Add all necessary things for user interaction

Lesson 4: Connecting the points

1. Talk about general strategy of making the points.  We can find the nearest point and draw the lines, then request the next nearest point and draw lines, etc.  For this we need a tool that will loop through our network and perform some task multiple times.

2. Explanation of foreach sop

a. explanation of stamp expression - we do something new each time the loop is run

3. Create digital asset - DrawConnections

Beyond the Lesson

Show a few really cool things that can be done with the tools created from this lesson.

Project Contents

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