SYNTHiC4TE | Feb 01 2018 | 649 MB

The tubular bells sampled in this collection are from an 18 note vintage Leedy & Ludwig instrument (C4-F5) from the beginning of the 20th century, remarkable for the purity and clarity of its sounds and for the exceptional duration of its sustained notes.

Tubular bells were originally created with the aim of reproducing a church bell sound within the traditional orchestra. From the middle of the 19th century, the instrument evolved into a set of chromatically tuned tubes made of brass.

Since the resonance of a tube is one octave below the fundamental (the struck note), these tubular bells were mapped from C3 to F4 with lowest and highest notes extended in their respective range.

The bells were meticulously recorded at 96khz/24 bits at five different dynamic levels with state-of-the-art recording equipment, so as to render all the authenticity of the instrument. Besides the natural acoustic tubular bells presets, the collection is divided into three more sections: Ambient, Rhythmic and Synthetic Tubular Bells, for more than 70 presets and instruments. Taking advantage of the exceptional flexibility of Live's instruments and effects, such as Sampler, the collection brings the tubular bells into new musical territories: ambient sounds from intricate bells presets, immersive pads, intricate motions, mysterious rhythms and fascinating and powerful hybrid tubular bells synths.

synthic4te | Feb 01 2018 | 649 MB

管钟在收集样本是从18注复古利迪和路德维希仪器（c4-f5）从二十世纪开始，卓越的纯度和声音清晰度和其持续音的异常持续时间。

管铃最初是为了在传统管弦乐队中重现教堂钟声而设立的。从十九世纪中，仪器逐渐发展成一个集色调谐管采用黄铜。

由于管的共振是低于基频的一个八度（注记），这些管状钟从C3到F4映射，最低和最高的音符在各自的范围内延伸。

钟声小心翼翼地记录在96kHz的24位在五个不同的动态水平与国家的最先进的录音设备，以便使所有的仪器的真实性。除了自然声学管钟预置，收集分为三个部分：环境，节奏和合成管铃，超过70预设和仪器。利用现场的工具和效果非凡的灵活性，如采样器收集带来的管钟为新的音乐领域：环境声音从错综复杂的钟声预置，身临其境的垫，复杂的运动，神秘的节奏和迷人的和强大的混合管钟的合成器。