FANTASTiC | 29 March 2018 | 2.47 GB

After 2 hours at 47,000 feet above ground ... we touched down early in the evening. As the door to the hangar slid open, there were hugs and hi-fives. We were actually about to do it. What started as a hypothetical "what if" discussion at a team meeting was now as real as the Dassault Falcon that landed us here. We were kids on Christmas morning. We took our time walking around this enormous space, marveling at our individual inferiority as we stood in the abdomen of a room large enough for not one ... not two ... but yes, three airplanes. With a random series of claps and finger snaps, we tested and familiarized ourselves with the room. We knew we'd either dance or wrestle with this room for the next 24 hours. Natural reverb and delay like you wouldn't believe, but was it too noisy? Was the tail too long? Would the noise bleed into our samples and create an even more painstaking process than drum sampling already is? There were so many unanswered questions, but the most pressing was obviously, "What the hell is this going to sound like on the other side of the monitors?" We unloaded the plane and set up a 26" kick, a couple old Rogers toms, a black beauty snare, a couple Constantinoples, some mics, a mini rack, and any other gear we managed to fit onto the plane. Once everything was set up, Paul hit the first snare and we all screamed (not actual words ... mostly expletives and onomatopoeia). With wings behind us (literally), mountains beside us, and a sunset before us, we played drums deep into the night. We came away with a sound you won't believe until you hear it. As the opening act for 2018, we'd like to introduce you to a collection of drum samples unlike any you've ever heard ... Hangar.

TECH SPECS

SAMPLES

1079 total one-shot and multi-velocity samples, 3 different mix variations (Natural, Big, Brutal), 4 different kicks, 4 different snares, 2 sets of toms, 3 hi-hats, 4 cymbals, 3 buckets, 3 claps, cowbell, 4 sticks, cinema hits (for your next blockbuster), 26 extras, 36 vocal samples

* All samples delivered as 24-bit, 44.1kHz .wav files

LOOPS

100 individual loops with 3 different mix variations (Natural, Big, Brutal), 20 different tempos (ranging from 52 - 155bpm)

PRESETS

Ableton, Reason, EXS24, Battery, Maschine 2, Trigger 2, and Kontakt 5 (full version — presets work with the free version of Kontakt).

神奇的| 2018年3月29日| 2.47 GB

2小时后在地面47000英尺处…我们在傍晚很早就着陆了。在机库的门开了，有拥抱和HI五。我们实际上正要去做。什么开始作为一个假设的“如果”在一个小组会议讨论现在达索猎鹰降落我们这里一样真实。圣诞节的早晨我们都是孩子。我们把我们的时间在这个巨大的太空行走，惊叹于我们个人的自卑心理，我们站在一个足够大的房间没有一个腹部…不是两…但是的，三架飞机。随着一系列随机拍和响指，我们测试和熟悉的房间。我们知道在接下来的24个小时里，我们要么和这个房间跳舞，要么摔跤。自然混响和延迟你不会相信的，但太吵了吗？尾巴太长了吗？噪音会不会渗入我们的样本中，并制造出比滚筒取样更费力的过程？有很多问题没有回答，但最紧迫的是，“在监视器的另一端，这听起来像什么？”我们把平面和建立一个26球，一对夫妇老罗杰斯汤姆斯，黑美人的圈套，一对夫妇constantinoples，一些麦克风，迷你架，和任何其他齿轮我们设法装上飞机。一切都准备好了，保罗打了第一个陷阱，我们都尖叫起来（不是真正的话）…大多是咒骂和拟声词）。我们身后有翅膀（字面上），我们旁边的群山，还有我们面前的落日，我们在深夜里打鼓。我们听到你不相信的声音就走了。作为2018的开幕式，我们将向你介绍一个你从未听过的鼓样品的集合…飞机库.

技术规格

样品

1079总一次、多速度的样品，3种不同的组合变化（自然的，大的，残酷的），4种不同的球，4个不同的陷阱，2套汤姆斯，3高帽子，4钹，3桶，3拍，牛铃，4根棍子，电影院打（你的下一个重磅炸弹），26名临时演员，36个声音样本

*所有的样品交付为24位，44.1khz .wav文件

环

100个人有3种不同的组合变化循环（自然，大的，残酷的），20种不同的速度（从52 155bpm）

预置

Ableton，原因，EXS24，电池，机2，触发2，和Kontakt 5（完整版-预置工作随着中国免费版）。