SYNTHiC4TE | HAPPY EASTER 2018 | 2.07 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP.

It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments.

Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition. Grab your orchestral libraries or piano for film composition or add a sidechain and kick drum for electronic music and you are off and running. 2. As elegant, lush breakdowns and transitions or in instrumental passages in an existing composition. Say you’re doing a deep house track in Eb. You’ve worked up to the breakdown and made a post breakdown drop but need to make an epic breakdown. Flip through some of The Granular Collection in Eb while your DAW is in loop. Find a handful of textures that work harmonically and from a spectral vantage point on your composition. Pull 4-5 textures into your breakdown area. High Pass filter all but one of them. Add eq, verb, crossfades etc and save one to do a ramp that fades from naught to full volume (up to your drop). A little arranging and in an hour you have a massive sounding breakdown with elegant, complex and detailed sound design.

快乐的复活节synthic4te | 2018年| 2.07 GB

这是一个收集的声音生成使用老式合成器，现场管弦乐录音离线和复杂的数字信号处理平台，如Kyma，CSound和CDP。

它是在收集的第一部电影，为电影，音乐和电子组成的，什么是需要的，昂贵的，膨胀床，和环境的声音。这是从收集的颗粒和分子，复杂的声音处理。

我可以用一个模式，全在自己。我是一个动态的长2～3分钟，移变形，深，音色和层状颗粒。的方式，我使用的是在我自己的研究工作：1。作为一个新的创作灵感。在坟墓中，他们说# F，拉到你的DAW，淡入淡出和淡入，层出，情商对键（许多是全方位的，如果超过一个，最好所有，但一个高通滤波器），添加混响和平移和你有A的全合成。。。。。。。管弦乐或钢琴的墓库膜成分或添加一个侧踢鼓和电子音乐和你是关闭和运行。2。郁郁葱葱的breakdowns和变为高雅，或在现有的仪器通道组成。说你做深轨道在EB的房子。你已经把新制造的击穿和击穿跌落后不需要化妆/击穿。倒装通过一些的颗粒收集在EB的昂是while循环。找到一个工作的支持，从A点harmonically华帝的光谱成分。4～5个，拉你的击穿区域。高通滤波器，但他们中的一个。添加的情商，动词，他排演的待办事项和保存等一个索然无味的斜坡从全卷（最naught到您滴）。在安排和一个小时，你有一个优雅的大量探测击穿，复杂和详细的声音设计。